The revolutionary woman in Human Cannon by Edward Bond: Agustina de Estarobon
Abstract
This article proposes a detailed analysis of the play Human Cannon, by the English author Edward Bond, with a special emphasis on the female figure who becomes a historical spokeswoman of the Spanish Civil War. As a consequence of the scenic methodology approached in this study, the development of the protagonist, Agustina de Estarobon, can be followed from the initial subjugation to the political maturity and freedom of thought at the end of the play. In this way, Edward Bond exemplifies a heroine brave enough to face the fascist repression and lead a rebellion against the injustices of absolute power.
References
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Bond, E. 1996. Plays: 5. Human Cannon. The Bundle. Jackets. In the Company of Men. London: Methuen.
Bond, E. 2000. The Hidden Plot. Notes on Theatre and the State. London: Methuen.
Debusscher, G. 1987. Human Cannon: Edward Bond’s vision of the Spanish Civil War. Revue Belge de philologie et d’historie 65: 3, 604-618.
Klein, H. 1989. Human Cannon – An Epic History Play by Edward Bond.
Anejos de Analecta Malacitana 6. Estudios de Filología Inglesa. Málaga: Universidad de Málaga, 81-91.
Klein, H. 1999. Heroínas Femeninas en la Resistencia. La Guerra de la Independencia y la Guerra Civil Española: Agustina de Aragón y Agustina de Estarobon. In Pensamiento, imagen, identidad: a la búsqueda de la definición de género. ATENEA. Málaga: Universidad de Málaga, 297-320.
Mangan, M. 1998. Writers and their Work. Edward Bond. Plymouth: Northcote House.
Spencer, J. S. 1992. Dramatic Strategies in the Plays of Edward Bond. Cambridge: Cambridge University Press.
Stuart, I. (ed). 1995. Edward Bond. Letters II. Amsterdam: Harwood.
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