Atwood’s Body Politic: a Taxonomy of Gender Representation
Ključne reči:
Margaret Atwood, gender, female body in fictionApstrakt
This article applies Butler’s concepts of gender as construction and performance to a selection of fiction by margaret Atwood. By using binary categories inspired by the theory of Eagleton and cixous, the author proposes a taxonomy of narrative techniques employed by Atwood to embed the female body into cultural and political discourse.
Reference
Atwood, M. 1984. Bluebeard’s Egg. Toronto: McClelland-Bantam.
Atwood, M. 1990. Cat’s Eye. London: Virago.
Atwood, M. 1978. The Edible Woman. Toronto: McClelland-Bantam.
Atwood, m. 1985. The Handmaid’s Tale. Toronto: McClelland & Stewart.
Atwood, M. 1998. Lady Oracle. Toronto: McClelland & Stewart.
Atwood, m. 1980. Life Before Man. Toronto: McClelland Bantam seal.
Atwood, m. 2006. Moral Disorder. London: Bloomsbury.
Atwood, m. 1994. Surfacing. Toronto: McClelland & Stewart, Ncl.
Atwood, m. 2006. The Tent. London: Bloomsbury.
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Eagleton, T. 1983. Literary Theory: An Introduction. Minneapolis: University of Minnesota Press.
Gadpaille, M. 1993. Odalisques in Margaret Atwood’s Cat’s Eye. Metaphor andSymbolic Activity 8, 221-226.
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Belsey and J. Moore (eds.) The Feminist Reader. Malden, MA: Blackwell, 64-181.
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Roy, W. 2006. The Body of/as Evidence: Margaret Atwood, The Blind Assassin, and the feminist literary mystery. In J. Moss and T. Kozakewich (eds.) Margaret Atwood: The Open Eye. Ottawa: Ottawa University Press, 361-371.
Showalter, E. 1990. Rethinking the Seventies: Women Writers and Violence. In P. C. Hoy II, E. H. Schor and R. Diyanni (eds.) Women’s Voices: Visions and Perspectives. New York: McGraw-Hill, 572-82.
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