The Cult of Irvine Welsh’s Trainspotting: An Appendix of a Culture or an Alternative Ossian?
Keywords:
Scottish fiction, ambivalence, national myths, drug addiction in literatureAbstract
This article comments on the way Scottish national stereotypes in literature – ambivalence, “tartan myths” and the tradition of despair – are exposed and employed in Irvine Welsh’s Trainspotting.
References
MacDougall, C. 2004. Writing Scotland: How Scotland ́s Writers Shaped the Nation. Edinburgh: Polygon.
Sassi, C. 2005. Why Scottish Literature Matters. Edinburgh: The Saltire Society.
Simpson, P., M. Bushell and H. Rodiss. 2005. The Rough Guide to Cult Fiction. London: Haymarket Customer Publishing.
Wallace, G. and R. Stevenson. 1993. Scottish Novel Since the Seventies: New Visions, Old Dreams. Edinburgh: Edinburgh UP, 145.
Walker, M. 1996. Scottish Literature Since 1707. London: Longman. Welsh, I. 1993. Trainspotting. London: Martin Secker and Warburg Ltd..
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